Beethoven's piano sonatas
Ludwig van Beethoven wrote his 32 piano sonatas between 1795 and 1822. Although originally not intended to be a meaningful whole, they "form one of the most important collections of works in the whole history of music."[1] Hans von Bülow even called them "The New Testament" of music (Johann Sebastian Bach's The Well-Tempered Clavier being "The Old Testament").[2]
Beethoven's piano sonatas "soon came to be seen as the first body of substantial serious works for piano suited to performance in large concert halls."[3] Being suitable for both private and public performance, Beethoven's sonatas form "a bridge between the worlds of the salon and the concert hall".[4]
In a single concert cyclus, the whole 32 sonatas were first performed by Hans von Bülow;[5] the first to make a complete recording was Artur Schnabel in 1927 (he was also the first since von Bülow to play the complete cycle in concert from memory).[6]
List of sonatas
Opus 2: Three Piano Sonatas (1795)
Opus 7: Piano Sonata No. 4 in E-flat major ("Grand Sonata") (1797)
Opus 10: Three Piano Sonatas (1798)
Opus 13: Piano Sonata No. 8 in C minor ("Pathétique") (1798)
Opus 14: Two Piano Sonatas (1799)
Opus 22: Piano Sonata No. 11 in B-flat major (1800)
Opus 26: Piano Sonata No. 12 in A-flat major ("Funeral March") (1801)
Opus 27: Two Piano Sonatas (1801)
Opus 28: Piano Sonata No. 15 in D major ("Pastoral") (1801)
Opus 31: Three Piano Sonatas (1802)
Opus 49: Two Piano Sonatas (1805)
Opus 53: Piano Sonata No. 21 in C major ("Waldstein") (1803)
- WoO 57: Andante Favori — Original middle movement of the "Waldstein" sonata (1804)
Opus 54: Piano Sonata No. 22 in F major (1804)
Opus 57: Piano Sonata No. 23 in F minor ("Appassionata") (1805)
Opus 78: Piano Sonata No. 24 in F-sharp major ("A Thérèse") (1809)
Opus 79: Piano Sonata No. 25 in G major (1809)
Opus 81a: Piano Sonata No. 26 in E-flat major ("Les adieux/Das Lebewohl") (1810)
Opus 90: Piano Sonata No. 27 in E minor (1814)
Opus 101: Piano Sonata No. 28 in A major (1816)
Opus 106: Piano Sonata No. 29 in B-flat major ("Hammerklavier") (1819)
Opus 109: Piano Sonata No. 30 in E major (1820)
Opus 110: Piano Sonata No. 31 in A-flat major (1821)
Opus 111: Piano Sonata No. 32 in C minor (1822)
References
- ^ Charles Rosen, Beethoven's piano sonatas: a short companion, Yale University Press, 2002, accompanying note
- ^ "Bach: The Well-Tempered Clavier - Das Wohltemperierte Clavier - release information". http://www.brilliantclassics.com/release.aspx?id=FM02096331. Retrieved 9 September 2011.
- ^ Charles Rosen, Beethoven's piano sonatas: a short companion, Yale University Press, 2002, accompanying note
- ^ Charles Rosen, Beethoven's piano sonatas: a short companion, Yale University Press, 2002, accompanying note
- ^ [http://www.carnegieroom.org/index.php?option=com_content&view=article&id=5&Itemid=4 Carnegie Room Concerts
- ^ Beethoven Complete Piano Sonatas in Two Volumes, ed. by Artur Schnabel, Alfred Masterwork Edition, Publisher's Preface
Literature
- Rosen, Charles (2002). Beethoven's Piano Sonatas: A Short Companion. Yale University Press. ISBN 978-0300090703.
- Tovey, Donald (1999). A Companion to Beethoven's Piano Sonatas. Associated Board of the Royal Schools of Music. ISBN 978-1860960864.
- Rostal, Max (1985). Beethoven, the sonatas for piano and violin: thoughts on their interpretation. Toccata Press. ISBN 978-0907689058.
- Taub, Robert (2009). Playing the Beethoven Piano Sonatas. Amadeus Press. ISBN 978-1574671780.
- Behrend, William (1988). Ludwig Van Beethoven's Pianoforte Sonatas. Ams Pr Inc. ISBN 978-0404128616.
- Matthews, Denis (1967). Beethoven piano sonatas. British Broadcasting Corporation.
- Drake, Kenneth (2000). The Beethoven sonatas and the creative experience. Indiana University Press. ISBN 978-0253213822.
- Harding, Henry Alfred (2010). Analysis of Form in Beethoven's Sonatas. Nabu Press. ISBN 9781176311169.
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Nos. 1 – 10
(Opus 2 – 14) |
- No. 1 in F minor, Op. 2, No. 1
- No. 2 in A major, Op. 2, No. 2
- No. 3 in C major, Op. 2, No. 3
- No. 4 in E-flat major, Op. 7 (Grand Sonata)
- No. 5 in C minor, Op. 10, No. 1
- No. 6 in F major, Op. 10, No. 2
- No. 7 in D major, Op. 10, No. 3
- No. 8 in C minor, Op. 13 (Pathétique)
- No. 9 in E major, Op. 14, No. 1
- No. 10 in G major, Op. 14, No. 2
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Nos. 11 – 20
(Opus 22 – 49) |
- No. 11 in B-flat major, Op. 22
- No. 12 in A-flat major, Op. 26 (Funeral March)
- No. 13 in E-flat major, Op. 27, No. 1 (Quasi una fantasia)
- No. 14 in C-sharp minor, Op. 27, No. 2 (Moonlight)
- No. 15 in D major, Op. 28 (Pastoral)
- No. 16 in G major, Op. 31, No. 1
- No. 17 in D minor, Op. 31, No. 2 (The Tempest)
- No. 18 in E-flat major, Op. 31, No. 3 (The Hunt)
- No. 19 in G minor and No. 20 in G major, Op. 49 (Two Easy Sonatas)
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Nos. 21 – 32
(Opus 53 – 111) |
- No. 21 in C major, Op. 53 (Waldstein)
- No. 22 in F major, Op. 54
- No. 23 in F minor, Op. 57 (Appassionata)
- No. 24 in F-sharp major, Op. 78 (A Thérèse)
- No. 25 in G major, Op. 79
- No. 26 in E-flat major, Op. 81a (Les adieux)
- No. 27 in E minor, Op. 90
- No. 28 in A major, Op. 101
- No. 29 in B-flat major, Op. 106 (Hammerklavier)
- No. 30 in E major, Op. 109
- No. 31 in A-flat major, Op. 110
- No. 32 in C minor, Op. 111
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